The forecast for the day
we were to leave was rain, continuing through the weekend. We switched gears
and made Sunday our new departure date. Light rain in the morning leading to a
reasonably clear and dry week ahead.
In Perth on Thursday
for the New Norcia Studies journal launch, we talked again about getting
vaccinated. I’m gun-shy when it comes to inoculations, so the jab hasn’t been a
priority. Still, with quasi-plans to travel to the States later this year,
necessity outweighs hesitation. On a whim, with Johan dodging traffic on the busy
Perth streets, I check to see if it were possible to get vaccinated that same
day. Amazingly, two appointments are available at a suburban medical centre for
9:05 and 9:10pm. “Book ‘em,” Johan said, so I did.
The journal launch finished
at 8pm so getting to the medical centre by nine was easy. The doctor on duty
was friendly and returned my smile when we entered his inoculation chamber,
along with four others. When it was our turn, I expressed my anxiety, not about
needles but my lack of trust in vaccines, particularly one that had been developed
as quickly as the AstraZeneca. He looked me in the eye and asked if I was a
meditator. “I thought so,” he replied to my affirmative response. “So just use
your meditation and breathing skills and you’ll be fine, I guarantee it.”
I was fine, until
about midday the following day. Harvesting what I could from the autumn garden
for our trip, my energy slowly flagged. My head felt thick and my body ached. I
went to bed for most of the rest of the afternoon. By bedtime I felt feverish
and fluey. Still, the reaction was nothing more than what the media was
reporting as “normal”.
Next day my energy rebounded
and we finished preparations in a flurry, just in time to relax in front of a
Saturday night Netflix movie. I selected Walkabout, a 1971 Australian
film by Nicolas Roeg. It seemed a fitting theme on the eve of our next outback
trek. And it was.
Set in the era of our
youth, we felt nostalgia for that time, which now seems so innocent compared with
today’s world. “Walkabout” is a term Aboriginal people have for the initiation
ritual used for their youth, when 16-year-old boys are sent into the outback on
their own, with only a spear for survival. We were surprised then when the film
opened with modern Australia (ca. 1970) as seen through the eyes of the European
colonialists: concrete and cars, countless pedestrians pacing the urban streets
with glazed-over eyes, luxurious riverside apartments stacked one atop the
other. A Volkswagen Beetle (so sweet!) appears taking a typical Australian
family to the desert so the father can do his geological research, the 8-year-old
son can play his fantasy games, and the 16-year-old daughter can consume the
well-planned picnic lunch packed by the absent mum. Alienation and disinterest
characterise the family relations, until, in a bizarre twist, the father steps
out of the car and starts shooting a real gun at his son, who’s playing war
games with his toy gun. Dad discovers the jerry can of fuel in the boot, pours
it over the car, sets it on fire and shoots himself in the head. Scared and
confused the children disappear into the wilderness.
The rest of the story
is about the two kids’ journey into the outback, guided by a traditional
Aboriginal boy they meet, ostensibly on his own walkabout, who teaches the city
kids the ways of the bush. It’s poignant, disturbing, quintessentially ‘70s in
style, and heavy on the message of colonial imperialism and the devastation imposed
upon indigenous culture.
This was the “story” I
saw ten years ago when we took our first long trek across the centre of
Australia: that the core of Australia is Aboriginal, raw, relentless in both
beauty and harshness, and spiritual in essence. That the people who inhabited
this land for millennia prior to European arrival had a different relation to
the land, each other, and life. And that fundamentally it was spiritual and
sustainable. And that the culture of these people was crushed to the point of
near-extinction, its remaining inhabitants tired, drunk, dazed, and grumpy.
We set off Sunday
morning amidst persistent rain showers and a woolly sky. We bump fists to wish
ourselves a good and safe journey. We carry a weight of material possessions to
protect us from too much discomfort and danger, but it still allows for a mostly
outdoor life for the next 6-8 weeks. Our route is due east on the Outback Way,
the gravel road that cuts across the red centre of Australia to Uluru, then
north from Alice Springs to Darwin, west across the gravel Gibbs River Rd in
the Kimberley, and the long southerly trek back home from Broome. Winter in the
outback will be warm in the day, cool to cold at night, and stunningly
beautiful with golden light kissing the land, wildflowers and water pools. So
unlike the stinking hot, fly-ridden journey we took in the middle of summer ten
years ago.
Around four in the afternoon
we take a dirt road north off the Great Eastern Hwy just past the Yellowdine
Roadhouse. Google Maps shows an intriguing cluster of open rock, and a sign
points the way to Karalee Rocks. It doesn’t mention camping but when we arrive,
a cluster of caravans spread out across a flat makeshift campground. Must be a
well-kept secret or a tip on some free-camping website.
It’s been four months
since we’ve had the trailer out and our set-up routine is hampered by our
feeble memories, which leave out some critical pieces. Still, we have enough
time before sundown to explore the rock face, which was used to collect water
in a nearby dam in the region’s pastoral past, and enjoy a beer before dinner
and an early bed.
Our expected route: